| Итого | За последние 12 месяцев | Apr | Mar | Feb |
| Всего | 12мес | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | Jun | May | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 29 | 28 | 27 | 26 | 25 |
По разделу |
66590 | 937 |
73 |
74 |
73 |
93 |
101 |
82 |
96 |
73 |
61 |
64 |
67 |
80 |
0 |
4 |
5 |
2 |
1 |
3 |
3 |
2 |
5 |
5 |
2 |
3 |
2 |
3 |
3 |
3 |
3 |
3 |
1 |
4 |
2 |
2 |
4 |
2 |
3 |
3 |
2 |
2 |
4 |
2 |
1 |
1 |
2 |
1 |
3 |
1 |
2 |
1 |
2 |
1 |
4 |
3 |
3 |
5 |
3 |
2 |
2 |
5 |
3 |
3 |
1 |
3 |
4 |
3 |
2 |
2 |
1 |
3 |
2 |
5 |
2 |
2 |
Культурный цикл: режиссура от шестидесятников к поколению-post/ |
1590 | 553 |
46 |
51 |
51 |
46 |
81 |
55 |
51 |
38 |
30 |
30 |
41 |
33 |
0 |
1 |
4 |
0 |
1 |
2 |
1 |
0 |
5 |
3 |
2 |
3 |
2 |
3 |
2 |
3 |
3 |
1 |
1 |
3 |
0 |
0 |
2 |
0 |
1 |
3 |
0 |
0 |
4 |
2 |
0 |
1 |
1 |
0 |
2 |
1 |
0 |
0 |
2 |
1 |
3 |
3 |
2 |
2 |
1 |
2 |
1 |
4 |
3 |
3 |
0 |
3 |
2 |
3 |
2 |
2 |
1 |
3 |
2 |
3 |
2 |
0 |
Логика перемен. Анатолий Васильев: между прошлым и будущим |
18816 | 410 |
32 |
37 |
31 |
53 |
35 |
34 |
41 |
35 |
19 |
31 |
30 |
32 |
0 |
3 |
2 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
2 |
2 |
2 |
1 |
0 |
1 |
3 |
2 |
0 |
1 |
1 |
2 |
4 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
1 |
2 |
1 |
0 |
1 |
3 |
2 |
3 |
2 |
1 |
2 |
2 |
2 |
2 |
1 |
0 |
0 |
3 |
2 |
2 |
0 |
1 |
3 |
0 |
3 |
0 |
1 |
Театр Анатолия Васильева 70-80 гг. Метод и эстетика |
12985 | 396 |
41 |
38 |
30 |
38 |
33 |
36 |
52 |
40 |
20 |
16 |
23 |
29 |
0 |
3 |
5 |
1 |
1 |
3 |
1 |
0 |
0 |
5 |
0 |
1 |
1 |
1 |
2 |
2 |
3 |
1 |
1 |
4 |
2 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
4 |
0 |
1 |
1 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
4 |
2 |
2 |
3 |
1 |
2 |
0 |
3 |
1 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
Режиссеры-шестидесятники |
1140 | 353 |
37 |
32 |
22 |
27 |
29 |
31 |
28 |
30 |
19 |
25 |
26 |
47 |
0 |
4 |
4 |
2 |
0 |
2 |
1 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
3 |
2 |
3 |
2 |
1 |
1 |
0 |
1 |
1 |
2 |
1 |
3 |
1 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
2 |
3 |
5 |
1 |
0 |
1 |
5 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
Миндаугас Карбаускис: в поисках дома |
6087 | 263 |
22 |
24 |
15 |
21 |
28 |
21 |
25 |
29 |
21 |
15 |
12 |
30 |
0 |
0 |
4 |
0 |
1 |
2 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
1 |
2 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
3 |
1 |
0 |
0 |
2 |
1 |
0 |
3 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
Режиссер Игорь Яцко - школа Васильева |
4272 | 237 |
19 |
20 |
12 |
17 |
22 |
25 |
23 |
21 |
23 |
12 |
15 |
28 |
0 |
0 |
2 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
3 |
0 |
1 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
Мышкин, Тьмышкин и другие |
1903 | 197 |
19 |
17 |
13 |
25 |
18 |
13 |
18 |
13 |
15 |
12 |
13 |
21 |
0 |
1 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
Режиссеры-шестидесятники |
743 | 186 |
30 |
25 |
18 |
20 |
16 |
15 |
15 |
11 |
7 |
6 |
8 |
15 |
0 |
2 |
2 |
1 |
0 |
1 |
3 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
3 |
3 |
0 |
1 |
1 |
1 |
2 |
1 |
3 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
3 |
1 |
1 |
1 |
3 |
0 |
1 |
3 |
1 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
5 |
0 |
0 |
Смерть драмы |
3485 | 183 |
19 |
12 |
7 |
15 |
14 |
20 |
16 |
13 |
11 |
14 |
20 |
22 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
Успех Дмитрия Крымова |
3978 | 166 |
20 |
17 |
9 |
18 |
16 |
16 |
18 |
12 |
6 |
9 |
9 |
16 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
3 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
2 |
1 |
0 |
2 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Вся жизнь. "Старик и море" в постановке А. Васильева |
1475 | 163 |
17 |
15 |
8 |
23 |
17 |
12 |
25 |
11 |
7 |
7 |
7 |
14 |
0 |
0 |
2 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
Эпатаж и игра в спектаклях Константина Богомолова |
2564 | 152 |
19 |
9 |
9 |
12 |
18 |
17 |
10 |
10 |
9 |
9 |
12 |
18 |
0 |
1 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
0 |
2 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
Мир идей первичен. Интервью с А. Огаревым |
1676 | 150 |
16 |
18 |
15 |
14 |
15 |
14 |
13 |
12 |
6 |
7 |
9 |
11 |
0 |
1 |
2 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
Ученик и учитель |
2598 | 149 |
23 |
13 |
8 |
14 |
10 |
14 |
11 |
11 |
7 |
10 |
11 |
17 |
0 |
0 |
4 |
0 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
4 |
0 |
1 |
1 |
2 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
3 |
0 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
4 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
О тенденциях современной режиссуры |
1416 | 134 |
14 |
12 |
10 |
13 |
15 |
15 |
13 |
8 |
6 |
6 |
7 |
15 |
0 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
1 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
Маски Гоголя |
1862 | 127 |
17 |
13 |
9 |
10 |
19 |
12 |
10 |
7 |
3 |
7 |
6 |
14 |
0 |
2 |
2 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
3 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |