| Итого | За последние 12 месяцев | Jun | May | Apr |
| Всего | 12мес | Jun | May | Apr | Mar | Feb | Jan | Dec | Nov | Oct | Sep | Aug | Jul | 06 | 05 | 04 | 03 | 02 | 01 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 |
По разделу |
63162 | 825 |
14 |
80 |
80 |
76 |
57 |
58 |
71 |
60 |
84 |
71 |
85 |
89 |
0 |
5 |
2 |
2 |
2 |
3 |
1 |
1 |
4 |
2 |
3 |
2 |
1 |
3 |
2 |
2 |
5 |
1 |
2 |
2 |
3 |
2 |
3 |
3 |
5 |
5 |
4 |
8 |
0 |
1 |
2 |
3 |
1 |
1 |
2 |
4 |
2 |
4 |
3 |
1 |
11 |
9 |
3 |
2 |
1 |
1 |
2 |
1 |
1 |
1 |
2 |
3 |
4 |
2 |
1 |
2 |
1 |
2 |
5 |
2 |
3 |
2 |
Культурный цикл: режиссура от шестидесятников к поколению-post/ |
1078 | 381 |
8 |
33 |
35 |
43 |
26 |
24 |
33 |
33 |
40 |
28 |
42 |
36 |
0 |
5 |
1 |
2 |
0 |
0 |
0 |
0 |
4 |
2 |
3 |
0 |
0 |
1 |
2 |
1 |
0 |
1 |
1 |
1 |
2 |
1 |
0 |
1 |
1 |
5 |
0 |
2 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
4 |
3 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
4 |
1 |
0 |
0 |
0 |
0 |
5 |
1 |
3 |
0 |
Логика перемен. Анатолий Васильев: между прошлым и будущим |
18441 | 349 |
3 |
32 |
24 |
31 |
23 |
27 |
31 |
29 |
28 |
32 |
48 |
41 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
3 |
0 |
2 |
1 |
0 |
2 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
4 |
1 |
0 |
0 |
2 |
2 |
0 |
0 |
2 |
4 |
2 |
1 |
0 |
1 |
0 |
1 |
0 |
2 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
1 |
0 |
2 |
2 |
2 |
0 |
Театр Анатолия Васильева 70-80 гг. Метод и эстетика |
12623 | 339 |
5 |
29 |
21 |
25 |
16 |
28 |
28 |
26 |
42 |
40 |
33 |
46 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
1 |
1 |
2 |
1 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
2 |
3 |
0 |
0 |
2 |
3 |
1 |
1 |
1 |
0 |
1 |
2 |
1 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
1 |
Режиссеры-шестидесятники |
837 | 300 |
3 |
47 |
24 |
29 |
22 |
16 |
25 |
13 |
38 |
20 |
23 |
40 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
2 |
0 |
1 |
1 |
0 |
5 |
0 |
2 |
2 |
2 |
0 |
3 |
3 |
1 |
1 |
2 |
8 |
0 |
1 |
2 |
1 |
0 |
0 |
2 |
2 |
2 |
2 |
0 |
0 |
0 |
0 |
1 |
2 |
0 |
1 |
2 |
0 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
0 |
1 |
2 |
2 |
1 |
1 |
2 |
Режиссер Игорь Яцко - школа Васильева |
4064 | 275 |
1 |
28 |
15 |
20 |
14 |
12 |
27 |
26 |
34 |
30 |
32 |
36 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
2 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
2 |
1 |
1 |
4 |
2 |
2 |
2 |
0 |
0 |
1 |
1 |
0 |
1 |
2 |
0 |
1 |
1 |
0 |
0 |
0 |
3 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
2 |
1 |
0 |
0 |
0 |
2 |
1 |
Миндаугас Карбаускис: в поисках дома |
5854 | 259 |
0 |
30 |
33 |
23 |
15 |
14 |
20 |
7 |
30 |
18 |
32 |
37 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
2 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
3 |
5 |
4 |
2 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
0 |
1 |
1 |
4 |
0 |
1 |
11 |
9 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
1 |
Смерть драмы |
3325 | 211 |
1 |
22 |
14 |
17 |
12 |
9 |
33 |
20 |
27 |
14 |
21 |
21 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
Режиссеры-шестидесятники |
573 | 210 |
1 |
15 |
10 |
10 |
13 |
6 |
21 |
14 |
19 |
16 |
40 |
45 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
Мышкин, Тьмышкин и другие |
1727 | 183 |
0 |
21 |
17 |
18 |
15 |
8 |
15 |
12 |
14 |
17 |
25 |
21 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
1 |
1 |
1 |
3 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
1 |
2 |
1 |
1 |
0 |
1 |
1 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
Успех Дмитрия Крымова |
3828 | 181 |
0 |
16 |
13 |
13 |
13 |
9 |
16 |
15 |
21 |
21 |
21 |
23 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
3 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
0 |
Ученик и учитель |
2469 | 174 |
3 |
17 |
8 |
15 |
13 |
10 |
11 |
15 |
32 |
15 |
16 |
19 |
0 |
1 |
0 |
0 |
2 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
2 |
0 |
0 |
Мир идей первичен. Интервью с А. Огаревым |
1537 | 171 |
0 |
11 |
9 |
11 |
13 |
8 |
17 |
13 |
28 |
18 |
24 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
0 |
0 |
Эпатаж и игра в спектаклях Константина Богомолова |
2432 | 167 |
2 |
18 |
15 |
13 |
15 |
9 |
12 |
13 |
13 |
22 |
13 |
22 |
0 |
0 |
2 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
1 |
0 |
0 |
3 |
1 |
1 |
0 |
0 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
3 |
2 |
1 |
0 |
Вся жизнь. "Старик и море" в постановке А. Васильева |
1327 | 165 |
1 |
14 |
17 |
16 |
7 |
8 |
17 |
8 |
19 |
17 |
22 |
19 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
1 |
0 |
0 |
0 |
2 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
1 |
1 |
1 |
1 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
2 |
0 |
2 |
О тенденциях современной режиссуры |
1297 | 151 |
0 |
15 |
14 |
13 |
11 |
6 |
19 |
12 |
14 |
13 |
15 |
19 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
1 |
2 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
1 |
1 |
0 |
0 |
2 |
0 |
3 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
2 |
1 |
0 |
0 |
Маски Гоголя |
1750 | 140 |
1 |
14 |
6 |
11 |
7 |
4 |
15 |
10 |
22 |
15 |
17 |
18 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
0 |
2 |
0 |
0 |
1 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
1 |
0 |
0 |
0 |
1 |
1 |
2 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
0 |
1 |
0 |
0 |
0 |
0 |
1 |
0 |
2 |
1 |
0 |
1 |